One's relationship to light, color, and form transcends the syntax of accepted linguistic and artistic grammars. What we know about light is evolutionarily ingrained in our psyches. My canvasses are filled with multiple and scrambled sources of color and form, as I seek, through my paintings, to both invoke primal responses to the light already inherent in our minds and to encourage the viewer choose his or her own way of interpreting the sprawl of creation.
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